The paper consists of five steps. The first step is to study and explore theories of order, time image, and meaning of place. A hypothetical equation is proposed which defines a place as having three basic components: time, order and meaning. Special attention is paid to the time image of a place through the thesis. The second step is to organize the theories as a set of systematic design ideas. Twelve design categories are further introduced, which include Rhythm, Season, Celebration, Layer, Future, Sequence, Derelict, Night, Center, Boundary, and Sacred Places.
The third step is to generate a set of patterns for the waterfront design under twelve design topics. Pattern is a bridge between principle and design. The conversion of a design idea into a design pattern can be seen as a procedure to test the validity of design ideas. The fourth step is to apply the design patterns to a specific site on the West Vancouver Waterfront. In a sense, the application of the patterns is an experiment, aimed at testing the patterns, hence the whole thesis as a hypothesis. The final step is to review and evaluate the thesis and the project. / Applied Science, Faculty of / Architecture and Landscape Architecture (SALA), School of / Graduate
| Identifer | oai:union.ndltd.org:UBC/oai:circle.library.ubc.ca:2429/29197 |
| Date | January 1990 |
| Creators | Li, Baozhang |
| Publisher | University of British Columbia |
| Source Sets | University of British Columbia |
| Language | English |
| Detected Language | English |
| Type | Text, Thesis/Dissertation |
| Rights | For non-commercial purposes only, such as research, private study and education. Additional conditions apply, see Terms of Use https://open.library.ubc.ca/terms_of_use. |
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