My painted self-portraiture explores identity as changing social performance or
masquerade and examines bodily flesh as the vital interface for reciprocal encounter on
life’s stage. The larger-than-life sized images demand viewer attention and compel intersubjective engagement. The works also affirm artistic agency and subjective presence through gestural brushwork and the vivifying power of oil paint. Hybridity and ambiguity in the images suggest the dynamic and reflexive nature of identity. A theatrical colour palette further reinforces the notion of identity as social performance or masquerade. Conceptually the works are rooted in both post-modern feminism and phenomenology. Artistically they draw inspiration from contemporary figurative painters and portraitists who use this medium and genre to navigate the boundaries of self and society.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:OWTU.10012/4394 |
| Date | 29 April 2009 |
| Creators | Urbanski, Miranda |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
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