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Brown bodies have no glory: and exploration of black women's pornographic images from Sara Baartman to the present

This study examines the pornographic images of black women from Sara Baartman, the “Venus Hottentot,” to the Middle Passage, the Auction Block, Plantation Life, Harlem Renaissance, Blaxpomploitation movies, mainstream contemporary cinema, and pornography. It is based on the premise that throughout history black women’s images have been pornographic. The researcher found that the pornographic images present in today’s visual media are outgrowths of the debilitating, racialized and sexualized images of black women historically. The conclusion drawn from the findings suggests that black women’s images in cinema continue to subjugate and objectify black women on and off screen.

Identiferoai:union.ndltd.org:auctr.edu/oai:digitalcommons.auctr.edu:dissertations-1647
Date01 September 2009
CreatorsCarter, Shemetra M
PublisherDigitalCommons@Robert W. Woodruff Library, Atlanta University Center
Source SetsAtlanta University Center
Detected LanguageEnglish
Typetext
Formatapplication/pdf
SourceETD Collection for Robert W. Woodruff Library, Atlanta University Center

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