This essay was written as an attempt to trace, capture and convey parts of the underlying and intrinsic movement of an ongoing film practice. In a subjective and searching manner the text revolves mainly around the themes of time, film, poetry, nature, memory and the imagination — the pivot being the idea of the continuous splitting of the present as a trait common to both cinema and the human mind.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:konstfack-7726 |
| Date | January 2020 |
| Creators | Eklund, Sebastian |
| Publisher | Konstfack, Institutionen för Konst (K) |
| Source Sets | DiVA Archive at Upsalla University |
| Language | Swedish |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/bachelorThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
Page generated in 0.0012 seconds