This thesis (i) presents a critical analysis of the political allegory and dramatic elements employed by Antón Arrufat in Los siete contra Tebas in order to comment upon the conflict in Cuban society during and immediately after the Cuban revolution; and (ii) further analyzes that conflict using an anthropological approach in order to establish partial reintegration as an additional final phase in the rites of passage journey.
Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc699886 |
Date | 08 1900 |
Creators | Gosch, Elizabeth Anna |
Contributors | Marrero, María Teresa, Manickam, Samuel, Avilés-Diz, Jorge |
Publisher | University of North Texas |
Source Sets | University of North Texas |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
Format | iii, 83 pages, Text |
Coverage | Cuba |
Rights | Public, Gosch, Elizabeth Anna, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
Page generated in 0.0022 seconds