The study of the social dimensions of Shakespeare's art is represented by the work of Mikhail Bakhtin, C.L. Barber, Robert Weimann, Edward Berry, and Michael Bristol. Their work analyzes the background in Elizabethan social practices and popular dramatic traditions that contribute to the form, structure, and meaning of Shakespeare's comedies. The purpose of this study is to review the work of these authors, apply their insights into three productions of A Midsummer Niqht's Dream, and suggest further implications of their work.
A review of these authors' major premises provides the context for analysis of three productions of A Midsummer Niqht's Dream: those of Max Reinhardt, Peter Hall, and, Joseph Papp. This study suggests that the popular festive tradition created a dialogic mode in Shakespeare's art and accounts for important features of our aesthetic experience of the plays. / Graduation date: 1994
| Identifer | oai:union.ndltd.org:ORGSU/oai:ir.library.oregonstate.edu:1957/37301 |
| Date | 05 May 1994 |
| Creators | Schaefer, Mimi |
| Contributors | Schwartz, Robert |
| Source Sets | Oregon State University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis/Dissertation |
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