The intent of this study is to give credit to the female Renaissance painter, Sofonisba Anguissola of Cremona, Italy, for the amalgamation of the portrait and genre traditions in art. Anguissola indirectly influenced the Dutch artists of the Golden Age, who are now liberally assigned credit for the blending of the portraiture and genre painting styles in the· late seventeenth century. Her overlooked innovation affected genre and portrait paintings for centuries to come, consequently having a remarkable impact on the history of art. This study will clarify how Anguissola came about this revolutionary approach to painting and to demonstrate the manner in which her work was almost certainly filtered through the eyes and hands of subsequent genre and portrait artists. This study will elucidate these concepts through an investigation of her social environment, her innovations, her artistic training, and her seemingly inexorable limitations as a woman artist.
| Identifer | oai:union.ndltd.org:ucf.edu/oai:stars.library.ucf.edu:honorstheses1990-2015-1892 |
| Date | 01 January 2009 |
| Creators | Duby, Jessica Louise |
| Publisher | STARS |
| Source Sets | University of Central Florida |
| Language | English |
| Detected Language | English |
| Type | text |
| Source | HIM 1990-2015 |
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