Part Two demonstrates the centrality pf this preoccupation with solitude and the definition of the self in Shakespeare's work, comparing and contrasting the development of his ideas with that of his contemporaries. The thesis considers Shakespeare's sympathies, moral judgements r and ideals through the changing perspectives on the solitary from play to play, Despite his sensitivity to the deepest levels of the contemporary cult of solitude, Shakespeare finally keeps faith with the essentially medieval ideal of the social bond. Solitude, for him, fails as an ideal, and is acceptable only where the social ideal is irreparably corrupted.
| Identifer | oai:union.ndltd.org:bl.uk/oai:ethos.bl.uk:453649 |
| Date | January 1978 |
| Creators | Dillon, Janette |
| Publisher | University of Oxford |
| Source Sets | Ethos UK |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Source | http://ora.ox.ac.uk/objects/uuid:6a041fae-ef1d-4b6f-bc4b-142971096f0a |
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