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L'homme en marge de la societe dans l'Ĺ“uvre theatrale de Henry Millon de Montherlant

D.Litt. et Phil. / A sense of isolation pervades all of Montherlant's writings -- the notebooks, the essays, the novels, and the plays. Although cognisance has been taken of his oeuvre as a whole, we have limited our study to that of Montherlant's theatre, for it is in his theatre that many of the thematic interests dispersed throughout the novels and the essays are crystallised in a striking and concrete form. We have, however, had recourse from time to time to his other writings. The object of this study is to examine in both intellectual and theatrical terms, the way in which Montherlant presents the voluntary distancing of the self in his plays. Almost all of his protagonists appear isolated within their family groups and social frameworks, but they seem voluntarily to have embraced that condition, and, furthermore they actively seek this isolation. Montherlant's first play, L'Exil, establishes a leitmotif that recurs time after time in all his subsequent plays.

Identiferoai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uj/uj:3121
Date23 August 2012
CreatorsLeissner, Shirley
Source SetsSouth African National ETD Portal
Detected LanguageEnglish
TypeThesis

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