Thesis (MPhil (Music))--University of Stellenbosch, 2011. / ENGLISH ABSTRACT: This thesis investigates the role of natural or realistic audio recordings
in popular music in the context of the different nature of popular music
where the goal is not necessarily the recreation of the original acoustic
space. Traditional microphone techniques are investigated from the perspective
of the identifiable characteristics of popular music to establish
the role of microphone techniques to obtain a desired outcome. / AFRIKAANSE OPSOMMING: Hierdie tesis ondersoek die rol van natuurlike of realistiese klankopnames
in populêre musiek in die lig daarvan dat die aard van populêre
opnames verskil van reproduksie wat poog om die opnameruimte akoesties
te herskep. Tradisionele mikrofoontegnieke word bestudeer vanuit
die hoek van die identifiseerbare eienskappe van populêre musiek om te
bepaal watter rol mikrofoontegniek kan speel om ’n verlangde uitkoms
te bewerkstellig.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:sun/oai:scholar.sun.ac.za:10019.1/6734 |
| Date | 03 1900 |
| Creators | Roux, Gerhard Wachtendonck |
| Contributors | Herbst, T., Vermeulen, J., University of Stellenbosch. Faculty of Arts and Social Sciences. Dept. of Music. |
| Publisher | Stellenbosch : University of Stellenbosch |
| Source Sets | South African National ETD Portal |
| Language | Afrikaans, en_ZA |
| Detected Language | English |
| Type | Thesis |
| Format | 251 leaves |
| Rights | University of Stellenbosch |
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