"...music is an art that exists in point of time." Aaron Copland, What to Listen for in Music / Few definitions are adequate to describe music, but a "point of time" is a concept with which people are familiar. When musicians give concerts they try to create these points in a context, which allows the audience to observe each moment by itself. Concert practice has developed to define the edges of musical points, guided by cues such as clapping, pauses, and concert program notes. / This masters thesis investigates how to analyze concert recordings of Western music and their program notes to produce segments which best fit the boundaries of musical points. Modern segmentation techniques are reviewed and a new method specific to concert recordings is examined.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.81489 |
| Date | January 2004 |
| Creators | Ferguson, Robert W., III |
| Publisher | McGill University |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | Electronic Thesis or Dissertation |
| Format | application/pdf |
| Coverage | Master of Arts (Faculty of Music.) |
| Rights | All items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated. |
| Relation | alephsysno: 002181466, proquestno: AAIMR06506, Theses scanned by UMI/ProQuest. |
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