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Mediating the nation-building agenda in public service broadcasting: convergence active user-generated content (AUGC) for television in Kenya

A thesis submitted to the Faculty of Humanities, University of Witwatersrand, Johannesburg, in fulfilment of the requirements for the degree of Doctor of Philosophy, 2016 / The
 violence,  destruction  and
 death
 of
 more
 than
 1
 200
 people
 resulting
 from
  the
 highly
 disputed
 2007
 election
 results
 in
 Kenya
 was
 a
 considerable
 watershed
  moment.
 It
 exposed
 the
 deep
 fragmentation
 within
 the
 nation-­‐state
 and
 became
  a
 significant
 fissure
 for
 the
 simmering
 tensions
 among
 the
 42
 “tribes”
 of
 Kenya.
  In
 the
 media-­‐scape,
 these
 events
 evinced
 the
 elitist
 and
 tribal
 hegemony
 in
 media
  ownership
 and
 revealed,
 more
 than
 ever
 before,
 that
 certain
 voices
 and
  narratives
 were
 privileged
 over
 others.
 These
 events
 also
 unmasked
 recurrent
  motifs,
 which
 illuminated
 the
 stranglehold
 that
 the
 political,
 media
 and
 economic
  elites
 wielded
 over
 media
 instruments
 and
 platforms,
 for
 their
 own
 benefit.
 
 
  This
 study
 aims
 to
 explore
 the
 extent
 to
 which
 active
 user-­‐generated
 content
 in
  the
 digital
 media
 space
 can
 intervene
 in,
 and
 disrupt,
 some
 of
 these
 exclusionary
  practices
 in
 the
 public
 service
 mediascape,
 to
 potentially
 inspire
 a
 re-­‐imagination
  in
 this
 space
 for
 nation
 building
 in
 Kenya.
 It
 is
 premised
 on
 a
 participatory
 action
  research
 approach
 that
 draws
 on
 theoretical
 discourse
 on
 nationalism
 and
  nation
 building,
 as
 this
 is
 the
 field
 from
 which
 the
 study’s
 key
 problems
 stem
 and
  where
 conceptual
 discourses
 on
 digital
 media
 converge.
 The
 study
 also
 draws
 on
  participatory
 discourses
 in
 the
 media,
 as
 these
 potentially
 present
 an
  emancipatory
 platform
 for
 those
 on
 the
 margins
 of
 the
 hegemonic
 centres.
 Here
  it
 mainly
 draws
 on
 Bhabha’s
 cultural
 difference
 theory,
 Billig’s
 banal
  nationalisms,
 Jenkins’
 ideas
 on
 convergence
 culture,
 Carpentier’s
 thoughts
 on
  maximalist
 media
 participation
 and
 Thumim’s
 assertions
 on
 self-­‐representation
  in
 the
 digital
 space.
 
  The
 study
 also
 hinges
 on
 the
 practice-­‐informed
 pilot
 project
 titled
 Utaifa
  Mashinani
 Masimulizi
 ya
 Ukenya
 (UMMU)
 digital
 narratives,
 co-­‐created
 by
 the
  researcher
 together
 with
 the
 Abakuria
 (the
 Kuria
 people)
 of
 Kenya.
 This
 is
 a
  community
 marginally
 represented
 in
 the
 public
 service
 broadcasting-­‐scape
 in
  Kenya
 and
 a
 people
 whose
 narrative
 discourse
 is
 seldom
 present
 in
 the
 public
  sphere.
 
 
The
 study
 argues
 that
 broadcast
 content
 –
 not
 just
 in
 Kenya
 but
 also
 in
 Africa
 –
  on
 User
 Generated
 Content
 (UGC)
 for
 broadcasting
 predominantly
 focuses
 on
  passive
 forms
 of
 UGC
 rather
 than
 Active
 User
 Generated
 Content
 (AUGC)
 -­‐
 a
 term
  coined
 in
 this
 study
 to
 refer
 to
 user-­‐generated
 content
 that
 entails
 a
 more
  meaningful,
 emancipatory
 and
 empowering
 form
 of
 participation
 amongst
 those
  traditionally
 referred
 to
 as
 consumers
 of
 broadcast
 content.
 It
 contends
 that
  although
 many
 contemporary
 television
 broadcasters
 around
 the
 world
 continue
  to
 create
 a
 perception
 of
 increasing
 and
 robust
 audience
 participation
 in
  televised
 content,
 in
 Kenya
 this
 is
 certainly
 not
 the
 case.
 It
 argues
 that
 significant
  forms
 of
 current
 participation
 on
 television
 are
 illusionary,
 minimalist
 and
 futile,
  as
 they
 largely
 entrench
 television’s
 balance
 of
 power
 among
 the
 media
 elites.
  Ordinary
 people
 are
 often
 ‘invited’
 to
 participate
 in
 broadcasting,
 but
 their
 entry
  point
 into
 these
 narratives
 tends
 to
 be
 limited
 to
 accessing
 already-­‐completed
  narratives
 and
 engaging
 in
 what
 constitutes
 token
 participation,
 with
 minimal,
  and
 in
 most
 cases,
 no
 impact
 on
 the
 story,
 its
 conception,
 distribution
 and
 socio-­‐ economic
 benefits.
 
 
  Drawing
 on
 insights
 from
 the
 UMMU
 project,
 the
 study
 proposes
 that
 AUGC
 can
  potentially
 disrupt
 some
 of
 the
 existing
 tropes
 and
 motifs
 in
 the
 Public
 Service
  Mediascape
 opening
 up
 spaces
 for
 multiple
 and
 diverse
 voices
 and
 narratives
 in
  Kenya.
 This
 potentially
 enables
 active
 participation
 from
 constituencies
 that
  have
 traditionally
 been
 on
 the
 margins
 of
 the
 Kenyan
 nation-­‐state
 to
 partake
 in
  the
 nation
 building
 process. / XL2018

Identiferoai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:wits/oai:wiredspace.wits.ac.za:10539/24453
Date January 2016
CreatorsAmbala, Anthony Terah
Source SetsSouth African National ETD Portal
LanguageEnglish
Detected LanguageEnglish
TypeThesis
FormatOnline resource (xiii, 245 leaves), application/pdf, application/pdf

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