This thesis focuses on the Soviets after the October Revolution, between 1917 and 1932, in which architecture was seen as the crucial aparatus to transform the society. Within this framework it approaches to social condensers which were perceived as architectural foresights and buildings that aim to transform the society and promote a new, collective way of life and relocates the (social) structure and agency dichotomy in architecture. Furthermore the effort of the creative individual (agent) to preserve his inner-domain is searched through the workers' / club designs of two important architects Konstantin Melnikov and Ivan Leonidov, and furthermore trying to understand on which principles they established their architecture. Whereas the conclusion includes a critical evaluation on " / halkevleri" / (people' / s houses) as having similar social premises within the scope of the general framework of the study.
| Identifer | oai:union.ndltd.org:METU/oai:etd.lib.metu.edu.tr:http://etd.lib.metu.edu.tr/upload/12607090/index.pdf |
| Date | 01 January 2006 |
| Creators | Onen, Hasan Isben |
| Contributors | Sargin, Guven Arif |
| Publisher | METU |
| Source Sets | Middle East Technical Univ. |
| Language | English |
| Detected Language | English |
| Type | M.Arch. Thesis |
| Format | text/pdf |
| Rights | To liberate the content for public access |
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