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WRITING AND REBELLION IN PLÁCIDOS POETRY

SPANISH
WRITING AND REBELLION IN PLÁCIDOS POETRY
JACKIE VERNON WILLEY
Thesis under the direction of Professor William Luis
Gabriel de la Concepción Valdés popularly known as Plácido is considered one of the most influential and prolific poets of early nineteenth-century Cuba, yet his works continue to face marginalization from the literary canon. As a free mulatto, Plácido operated within intellectual circles dominated by white elites in an epoch in which Afro-Cubans faced growing repression by the Spanish colonial regime. Not surprisingly, his poetry exemplifies his precarious situation.
With its ambiguities, complexities of meaning, and contradictory messages, the poets oeuvre defies singular categorization. His imitation of European forms, praise of aristocrats coupled with trenchant barbs against colonialism and slavery, and consistent identity fashioning underscore the liminal space occupied by a free poet of color attempting to navigate a racial caste system that employed both psychological and physical violence to maintain its power. This thesis places Plácidos poems within their sociohistorical context to uncover both their multiple subversions of dominant discourse and their tremendous contradictions. Frantz Fanon, Kelly Oliver, and Homi Bhabhas theoretical contributions toward colonialism, racial violence, and identity formation, as well as James Scotts political theory of hegemony and everyday resistance, underpin my analysis uncovering camouflaged meanings in the poets polysemic texts.
Approved __________________ Date _____________
Approved __________________ Date _____________

Identiferoai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-03312010-152757
Date16 April 2010
CreatorsWilley, Jackie Vernon
ContributorsWilliam Luis, Jane Landers
PublisherVANDERBILT
Source SetsVanderbilt University Theses
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.library.vanderbilt.edu/available/etd-03312010-152757/
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