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El retrato de artista en Hispanoamerica: historia de un genero a traves de las novelas de Roberto Bolano.

SPANISH AND PORTUGUESE
EL RETRATO DE ARTISTA EN HISPANOAMÉRICA: HISTORIA DE UN GÉNERO A TRAVÉS DE LAS NOVELAS DE ROBERTO BOLAÑO
ALBERTO DEL POZO MARTÍNEZ
Dissertation under the direction of Professor Andrés Zamora
This project is a study of the main novels written by the Chilean writer Roberto Bolaño (1953-2003). It explores Bolaños obsession with creating fictional artists in his works, and how this obsession should be understood as the culmination of a literary tradition in Spanish America: the tradition of the portrait of the artist. My work explores the polemic between literature and philology/literary criticism with regard to this specific genre. It traces the presence of the portrait throughout the history of Spanish American Literature, from Daríos Los raros to Moterrosos Lo demás es silencio. Finally, it analizes in detail the different ways in which Bolaño used the portrait of the artist in five of his novels (La literatura nazi en América, Estrella distante, Nocturno de Chile, Los detectives salvajes and 2666). My conclusion is that this genre functions for the purpose of generating a powerful critique of the role of literature today.

Identiferoai:union.ndltd.org:VANDERBILT/oai:VANDERBILTETD:etd-07202010-032608
Date30 July 2010
Creatorsdel Pozo Martinez, Alberto
ContributorsAndres Zamora, Christina Karageorgou, Benigno Trigo, Jose Medina
PublisherVANDERBILT
Source SetsVanderbilt University Theses
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.library.vanderbilt.edu/available/etd-07202010-032608/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to Vanderbilt University or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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