František Urban (1868-1919) devoted himself mainly to religious painting, the majority of his production was commissioned by the Church. Among these, the least attention has been dedicated to his stained glass designs, with the exception of his most famous complex in the Cathedral of St Barbara in Kutná Hora. However, these designs were held in high regard among the commissioners and Urban drew them for almost twenty churches and chapels. The supreme phase of his production was caught and can be now accessed in a representative publication of his designs for churches, published 1907-1909 in two parts. Urban's style has been classified as Art Nouveau; it is, however, only a simplistic description. Urban used older elements and composition schemes, brought by the Nazarenes at the beginning of 19th century. These he repurposed for the Art Noveau style, using the typical flatness and delicate colouring, idealization, ornamental elements in the fashion of that time, and most of all the then so popular folklore motifs. Urban's wife, Marie Urbanová- Zahradnická, contributed to some of the ornamental elements. This thesis attempts to assemble Urban's stained glass complexes and the knowledge about them, and to put them into the context of other painters who created their stained glass designs in a similar...
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:369841 |
| Date | January 2017 |
| Creators | Cachová, Tereza |
| Contributors | Wittlich, Petr, Mergl, Jan |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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