Jakob Steinhardt (1887 - 1968) has been ranked among the most significant German-Jewish artists of the 20th century. He became famous for his woodcuts depicting Jewish motives such as his Pessach-Haggada. He was also an important representative of the so-called Jewish Renaissance. The aim of this thesis is to present his persona in the context of German-Jewish history in the first three decades of the 20th century. The thesis tries to reconstruct his circle of artists and to analyse the Jewish constructions of identity. Methodologically, the thesis is based on the concept of cultural transfer; at the same time it also draws from historical analyses of social bonds and from the Visual Turn writings. The primary sources consist of individual pieces of visual arts, Steinhardts` guest books, his diaries, memoires of his wife and the then press. Key words: Judaism, Identity, Sionism, Jewish Renaissance, Expressionism, Jakob Steinhardt
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:373796 |
| Date | January 2018 |
| Creators | Pekárková, Eliška |
| Contributors | Lorenz, Torsten Horst, Spurný, Matěj |
| Source Sets | Czech ETDs |
| Language | German |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
Page generated in 0.0025 seconds