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Previous issue date: 2015-12-03 / Coordena??o de Aperfei?oamento de Pessoal de N?vel Superior (CAPES) / O presente trabalho tem por finalidade identificar, segundo a literatura e discografia,
novas possibilidades de execu??o para obras minimalistas do compositor norte-americano
Steve Reich, escritas entre 1972 e 1983. Mais especificamente, o artigo apresenta um estudo
focado na adapta??o de algumas de suas composi??es as quais n?o foram escritas
originalmente para serem executadas por um ?nico int?rprete (formato solo). A metodologia
consiste na ?nalise deste repert?rio e suas respectivas t?cnicas composicionais.
Posteriormente, extra?ram-se novas vers?es, com car?ter experimental, focados na intera??o
entre instrumentos de percuss?o e recursos tecnol?gicos. Tais possibilidades foram
implementadas atrav?s das oficinas de experimenta??o. Como resultado, gerou-se uma nova
possibilidade de interpreta??o para a obra Clapping Music (1972). Deste modo, o trabalho
aqui reportado visa apresentar as considera??es relacionadas ? performance, os processos
utilizados para a implementa??o, assim como os resultados obtidos durante as oficinas.
Concluiu-se que tais implementa??es, aliadas ? intera??o com recursos tecnol?gicos,
proporcionaram ao int?rprete um maior aprofundamento do aspecto t?cnico/interpretativo,
assim como das possibilidades de intera??o entre instrumentos de percuss?o e dispositivos
eletr?nicos. / This study aims to identify, according to the literature and discography, new
performance possibilities for minimalist works of American composer Steve Reich, written
between 1972 and 1983. More specifically, the article presents a study focused on the
adaptation of some of its compositions which were not originally written to be executed by a
single performer (solo format). The methodology consists of analyzing this repertoire and
their compositional techniques. Posteriorly, new versions were extracted with experimental
character, focused on the interaction between percussion instruments and technological
resources. Such possibilities were implemented through experimentation workshops. As a
result, it generated a new possibility of interpretation for the work Clapping Music (1972).
Thus, the work reported here is to present the considerations related to performance, the
processes used to implement, and the results obtained during the workshops. It was concluded
that such implementations, combined with interaction with technological resources, provided
the interpreter further deepening of technical/interpretative aspect, as well as the possibilities
of interaction between percussion instruments and electronic devices.
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/22174 |
| Date | 03 December 2015 |
| Creators | Menino, Fernando Bueno |
| Contributors | 28700365823, http://lattes.cnpq.br/9425018975775470, Vasconcelos, Marcus Andr? Varela, 63803526434, http://lattes.cnpq.br/3684172929733707, Traldi, Cesar, 30787984884, http://lattes.cnpq.br/6022645968535320, Campos, Cleber da Silveira |
| Publisher | PROGRAMA DE P?S-GRADUA??O EM M?SICA, UFRN, Brasil |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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