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Opticality and tactility in selected South African still-life painting

A dissertation submitted to the Faculty of Arts, University of the Witwatersrand, Johannesburg, in partial fulfilment of the requirements for the degree of Master of Arts in fine Arts
Johannesburg 1992 / This research examines some ways in which source material is interpreted in still life painting.
These interpretations will be explored from two positions in painting.
For my purposes, these positions will be termed opticality and
tactility. [Abbreviated Abstract. Open document to view full version][ / MT2017

Identiferoai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:wits/oai:wiredspace.wits.ac.za:10539/23004
Date January 1992
CreatorsFarber, Leora Naomi
Source SetsSouth African National ETD Portal
LanguageEnglish
Detected LanguageEnglish
TypeThesis
FormatOnline resource (147 leaves), application/pdf

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