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String Quartet

This quartet shows the composer's development from a highly chromatic, freely melodic, un-serialized style in movement I, through a still free, but disjunct, somewhat more ordered style in movement II, to a style in movement III which makes much use of serial techniques. This last usage, however, no longer employs the twelve-tone method in a stiff and fettered manner.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc1038899
Date01 1900
CreatorsConyers, Carolyn C. (Carolyn Camille)
PublisherNorth Texas State University
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
Format1 score (xxv, 44 leaves) : ill., Text
RightsPublic, Copyright, Copyright is held by the author, unless otherwise noted. All rights

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