This thesis contributes analyses of two works by Mexican composers: Rayo nocturnal (1989) by Victor Rasgado (b. 1959), and the Cuarteto da do (1988) by Juan Trigos (b. 1965). Although composed according to structuralist principles, a postmodern interpretation is offered. The analytical method applied
is based on Allen Forte's set theory, including rhythmic and timbral dimensions that are integral to the conceptions of these works. A survey of modernism and postmodernism in twentieth-century Mexico serves to place these works in their cultural context.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc277839 |
| Date | 05 1900 |
| Creators | Madrid-González, Alejandro L. (Alejandro Luis) |
| Contributors | Kuss, Malena, Klein, Joseph, 1962-, Johnson, Thomas (Guitarist) |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | iv, 111 leaves : ill., Text |
| Coverage | Mexico |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Madrid-González, Alejandro L. (Alejandro Luis) |
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