Urban spaces have appeared in literature for a long time and they seem to fascinate a lot of contemporary writers. The constructions of cities become exceptionally complex in postcolonial British fiction that portrays urban landscape from the perspective of first and second generation immigrants from Britain's former colonies. All of the novels discussed in this work are set in London and the characters are immigrants of the South Asian and Caribbean diasporas in Britain: the thesis focuses namely on Brick Lane (Monica Ali), White Teeth (Zadie Smith) and Life Isn't All Ha Ha Hee Hee (Meera Syal). However, the work also makes short digressions to a number of older works which deal with the immigrant experience in London: The Lonely Londoners (Sam Selvon), The Satanic Verses (Salman Rushdie) and The Buddha of Suburbia (Hanif Kureishi). The entire thesis consists of five parts and begins with an introduction to several theoretical terms that are necessary for analyses of immigrant identities and urban spaces. All of the theory that is discussed in the first chapter is then applied to the chosen novels by Ali, Smith and Syal. Overall, the thesis focuses on the ways in which the ex-colonial subjects in the books perceive London according to their gender and the particular generation of immigrants that...
Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:347861 |
Date | January 2015 |
Creators | Dongresová, Marta |
Contributors | Nováková, Soňa, Varhaníková, Halka |
Source Sets | Czech ETDs |
Language | English |
Detected Language | English |
Type | info:eu-repo/semantics/masterThesis |
Rights | info:eu-repo/semantics/restrictedAccess |
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