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The Idiomatic Techniques and Procedures of Composer Kevin Walczyk (b. 1964) that Define a Unique Musical Language

Award winning composer Kevin Walczyk's describes himself as a "musical storyteller," using all musical elements of structure, melody, harmony, and counterpoint to convey programmatic content. A variety of subjects are conveyed that include historical events, people, physical objects or locations, and literary texts. Deeper matters, such as spiritual themes, are also often incorporated in his music that enhance the musical program. The technical procedures employed—pertaining particularly to the expression of programmatic content—has produced a unique musical language that stands out in the modern compositional landscape. What are these inherent idiomatic features, and how are they exhibited? The purpose of this dissertation is to provide a detailed examination of Walczyk's distinct musical language. A critical analysis of the technical procedures used to convey his programmatic content, as well as insights into his influences and writing process, illuminate the attributes of this a posteriori musical language. The two works selected for this study to demonstrate this are Symphony No. 2: Epitaphs Unwritten and Talking Winds, both written for wind band.

Identiferoai:union.ndltd.org:unt.edu/info:ark/67531/metadc2257746
Date12 1900
CreatorsWollam, Seth Frederick
ContributorsCorporon, Eugene M., Trachsel, Andrew, Ramsey, Darhyl
PublisherUniversity of North Texas
Source SetsUniversity of North Texas
LanguageEnglish
Detected LanguageEnglish
TypeThesis or Dissertation
FormatText
RightsPublic, Wollam, Seth Frederick, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved.

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