The following is a historical analysis on the Moscow Art Theatre’s (MAT) tours to the United States in 1923 and 1924, and the developments and changes that occurred in Russian and American theatre cultures as a result of those visits. Konstantin Stanislavsky, the MAT’s co-founder and director, developed the System as a new tool used to help train actors—it provided techniques employed to develop their craft and get into character. This would drastically change modern acting in Russia, the United States and throughout the world. The MAT’s first (January 2, 1923 – June 7, 1923) and second (November 23, 1923 – May 24, 1924) tours provided a vehicle for the transmission of the System. In addition, the tour itself impacted the culture of the countries involved. Thus far, the implications of the 1923 and 1924 tours have been ignored by the historians, and have mostly been briefly discussed by the theatre professionals. This thesis fills the gap in historical knowledge.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc699929 |
| Date | 08 1900 |
| Creators | Brooks, Cassandra M. |
| Contributors | Velikanova, Olga V., Golden, Richard M., Chet, Guy |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | iv, 105 pages, Text |
| Coverage | United States, Russia, 1923-1924 |
| Rights | Public, Brooks, Cassandra M., Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
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