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Bursting out of the corset: physical mobility as social transgression and subversion in Thomas Hardy's Tess of the d'Urbervilles

The dissertation is based on Hardy's representation of Victorian working-class women's experience, exemplified by the heroine of Tess of the D'Urbervilles (1891), in the radically gendered nineteenth-century society. Physical mobility as metaphor and metonymy in the novel stands for the transgression and subversion of patriarchal influence and is revealed as having a complex significance in relation to gender distinction. Hardy subverts Victorian norms of femininity through Tess's movements from one physical space to another in her struggle for freedom and autonomy. However, Hardy's inability to transcend completely the conventions of his society is apparent in the way Tess is literally destroyed in her quest for autonomy, respect and contentment. A study of the novel reveals Tess as a victim of the wearing and destructive impact of social and economic realities that Hardy does not adequately questioned. Finally, the novel follows the conventional realist pattern where the transgressive heroine is punished in the end. / English Studies / M.A. (English)

Identiferoai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:unisa/oai:uir.unisa.ac.za:10500/1066
Date31 January 2004
CreatorsIssany, Tanzeelah Banu Mamode Ismael
ContributorsHolloway, M. K. (Mr.)
Source SetsSouth African National ETD Portal
LanguageEnglish
Detected LanguageEnglish
TypeDissertation
Format1 online resource (63 leaves)

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