Though an installation, the exhibition Four Corners Gateway, examines how history and memory construct us as individuals and construct our national and personal identities and worldviews. All such constructions are ultimately fragmented and fictional. This body of work points at how ideologically formed, subjective narratives are made into ‘truths’. Connecting the personal with the public is my way of playing with history and its paradoxes. The resulting landscapes that I construct can be read as archives of fragments.
Identifer | oai:union.ndltd.org:WATERLOO/oai:uwspace.uwaterloo.ca:10012/6717 |
Date | 01 June 2012 |
Creators | Martinello, Linda Clementina |
Source Sets | University of Waterloo Electronic Theses Repository |
Language | English |
Detected Language | English |
Type | Thesis or Dissertation |
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