In the mid-twentieth century many critics considered Eudora Welty’s work regionalist, which limited the interpretation of its social and political implications. However, by the late 1980s there was a renewed dedication to examining the subtle social and political implications present in her fiction. In keeping with this critical trend, I examine Welty’s revisions to four stories in A Curtain of Green and Other Stories. Previous interpretations of “Clytie,” “Why I Live at the P.O.,” “A Memory,” and “A Curtain of Green” do not adequately address how the female protagonists of these stories challenge traditional expectations for women. I argue that Welty’s revisions provide fundamental support for the female protagonists so that they can challenge existing social order in covert ways.
| Identifer | oai:union.ndltd.org:MSSTATE/oai:scholarsjunction.msstate.edu:td-4815 |
| Date | 03 May 2019 |
| Creators | Brandon, Caroline Rebecca |
| Publisher | Scholars Junction |
| Source Sets | Mississippi State University |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Theses and Dissertations |
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