This dissertation examines the politics of representation within the novel of the Third World. Drawing on the scholarship of Edward Said, Gayatri Spivak, Homi Bhabha, and Fredric Jameson, I situate Salman Rushdie and Orhan Pamuk within literary attempts at national representation and narratives of westernization. The main question that the study raises is: what are the literary results of migration, cultural or religious conversion within the increasingly diversifying metropolitan centers? I find that such double consciousness of the migrant artist provides an exilic writing that instigates two types of perspectives: satirical and melancholic. I argue that both authors narrativize a similar process of confronting the western cultural legacy, but differ in their reflection on their national and Islamic backgrounds.
| Identifer | oai:union.ndltd.org:siu.edu/oai:opensiuc.lib.siu.edu:dissertations-1376 |
| Date | 01 August 2011 |
| Creators | Duman, Mustafa Onur |
| Publisher | OpenSIUC |
| Source Sets | Southern Illinois University Carbondale |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | Dissertations |
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