The purpose of this study is to examine the pitch content and compositional techniques of Takemitsu's recent solo piano works, which have not been analyzed by Koozin, and to trace the evolution of his techniques in his solo piano works during his career. It also discusses how Takemitsu projects his philosophy and aesthetics of musical composition through Western musical idioms.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc278515 |
| Date | 05 1900 |
| Creators | Fukuchi, Hidetoshi |
| Contributors | Dworak, Paul E., 1951-, Phipps, Graham Howard, Clark, Thomas Sidney |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | viii, 166 leaves: music, Text |
| Rights | Public, Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved., Fukuchi, Hidetoshi |
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