This dissertation, "(De)Compose, Shape-Shift, and Suture: Toward a Monstrous Rhetoric of Fan Compositions," argues that the multimodal compositions of fans--specifically, fan fiction, meta, videos, and visual-spatial compositions--are articulations of a new kind of rhetoric: a monstrous rhetoric. This monstrous rhetoric is characterized by the dissolution of textual, corporeal, and cosmological boundaries; intense affective engagement; decomposition and recomposition; shape-shifting; and reanimation. Employing a feminist nomadic research methodology, I rhetorically analyze multiple fan compositions across several online fandoms and explore how these creative works inform and challenge current conversations about embodiment, affect, subjectivity, and composition pedagogy. As a project grounded in pedagogical practice, this dissertation is concerned with how a greater awareness of fan cultures and practices can lead to a greater understanding of what drives and sustains student engagement and participation in the context of an increasingly digital and mobile media landscape. Ultimately, this project offers a new rhetorical framework located at the intersection of fandom and monstrosity, and, from that new framework, a pedagogy of the monstrous, which proffers new strategies for approaching, creating, and analyzing new media and multimodal compositions in college writing classrooms.
| Identifer | oai:union.ndltd.org:arizona.edu/oai:arizona.openrepository.com:10150/299072 |
| Date | January 2013 |
| Creators | Howe, Sara K. |
| Contributors | Kimme Hea, Amy C., Licona, Adela C., Geary, Adam, Kimme Hea, Amy C., McAlister, Ken S. |
| Publisher | The University of Arizona. |
| Source Sets | University of Arizona |
| Language | English |
| Detected Language | English |
| Type | text, Electronic Dissertation |
| Rights | Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. |
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