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Previous issue date: 2013-12-16 / This study presents our research on the discourse of the grotesque in digital media, specifically in two blogs. We rely on the theoretical-conceptual and methodological discourse analysis of the French School. We analyzed a set of posts in the following blogs: Eu Sou Ryca and Cleycianne, and we did it based on some propositions on the discourse of the grotesque by Mikhail Bakhtin (1999a), Muniz Sodr? and Raquel Paiva (2002), Wolfgang Kayser (2003) and Mary Russo (2000). The expressions of the grotesque analyzed in the blogs Eu Sou Ryca and Cleycianne result predominantly in humorous effect, obtained by means of irony and parodization, which calls for ridicule and relegation, through a strong tension between the beautiful and the ugly, the socially acceptable and the aberration, the taste for the strange and the aesthetically striking. The grotesque appears initially as a significant feature of ornamental paintings found in Roman caves in the late fifteenth century, and today it can be seen permeating from sculptures, paintings, literary works, talk shows for television, videos hosted in cyberspace, specifically in the collective domain of weblogs. This work seeks to analyze how the discourse of the grotesque constitutes the humorous process in its insertion in cyberspace / Apresentamos, nesta disserta??o, um estudo sobre o discurso do grotesco na m?dia digital, especificamente em dois blogs. Apoiamo-nos sobre a base te?rico-conceitual e metodol?gica da An?lise do Discurso de Escola Francesa na leitura e interpreta??o de um conjunto de postagens dos blogs "Eu Sou Ryca" e "Cleycianne", partindo das proposi??es sobre o grotesco segundo Mikhail Bakhtin (1999a), Muniz Sodr? e Raquel Paiva (2002), Wolfgang Kayser (2003) e Mary Russo (2000). O grotesco surge, inicialmente, como uma caracter?stica expressiva das pinturas ornamentais encontradas nas grutas romanas, no final do s?culo XV, e hoje pode ser visto permeando desde esculturas, quadros, obras liter?rias, programas de audit?rio para a televis?o, a v?deos hospedados no ciberespa?o, no coletivo dom?nio dos weblogs. As express?es discursivas do grotesco analisadas nos blogs em quest?o resultam, predominantemente, em efeito humor?stico, obtido, sobretudo, por meio de ironias e parodiza??o, em que se apela para a ridiculariza??o e para o rebaixamento, atrav?s de uma forte tens?o entre o "belo" e o "feio", o socialmente aceit?vel e a aberra??o, o gosto pelo estranho e pelo esteticamente chocante. Este trabalho busca analisar como o discurso do grotesco constitui o processo humor?stico, a partir da sua inser??o no ciberespa?o
| Identifer | oai:union.ndltd.org:IBICT/oai:repositorio.ufrn.br:123456789/16307 |
| Date | 16 December 2013 |
| Creators | Carvalho, Adriano Cesar Lima de |
| Contributors | CPF:61836370334, Alves, Maria da Penha Casado, CPF:24162906491, http://lattes.cnpq.br/7377731555637172, Possenti, S?rio, CPF:05629721968, http://lattes.cnpq.br/0113877782649597, Muniz, Cellina Rodrigues |
| Publisher | Universidade Federal do Rio Grande do Norte, Programa de P?s-Gradua??o em Estudos da Linguagem, UFRN, BR, Lingu?stica Aplicada; Literatura Comparada |
| Source Sets | IBICT Brazilian ETDs |
| Language | Portuguese |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, info:eu-repo/semantics/masterThesis |
| Format | application/pdf |
| Source | reponame:Repositório Institucional da UFRN, instname:Universidade Federal do Rio Grande do Norte, instacron:UFRN |
| Rights | info:eu-repo/semantics/openAccess |
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