This master thesis aims to describe the creation of dramatic illusion based on the interaction of three elements: actor - play - spectator. It also seeks to define metatheatre as a defiance of the dramatic illusion. It distinguishes the notion of metatheatre from the one of play-within-play in general. Specific Plautus'use of the metatheatre technique follows with respective examples from four of his comedies: Amphitruo, Aulularia, Cistellaria and Pseudolus.
Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:311136 |
Date | January 2012 |
Creators | Jindrová, Olga |
Contributors | Kuťáková, Eva, Bažil, Martin |
Source Sets | Czech ETDs |
Language | Czech |
Detected Language | English |
Type | info:eu-repo/semantics/masterThesis |
Rights | info:eu-repo/semantics/restrictedAccess |
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