The aesthetic of this composition begins with a flurry of notes creating a wall of sound and slowly disintegrates into becoming something light and airy. Beginning is dense and hurried with overlapping entrances, in the beginning I aim to achieve an overall effect of very smooth and natural slowing down. It feels rhythmic but the pulse is somewhat ambiguous. There are chains of flurried notes followed by rests in the individual parts but the rests are hidden by the overlapping entrances so it feels continuous. As holes open in the texture and the slowing down process takes effect, fragments of a melody begin to peak out of the texture and melt back in. Eventually the piece has completely slowed down and the full melody is revealed. This then builds into a climactic high point of the melody played in the cello. Throughout the ending, fragments of the beginning texture fade in and out until one final build up resembling the beginning texture. There is then a flurry of notes that then proceed to do the slowing down process of the beginning but within a much quicker timespan and then the piece closes out on the final chord of that process.
| Identifer | oai:union.ndltd.org:bu.edu/oai:open.bu.edu:2144/44459 |
| Date | 18 May 2022 |
| Creators | Petshaft, Alexander J. |
| Contributors | Fineberg, Joshua |
| Source Sets | Boston University |
| Language | en_US |
| Detected Language | English |
| Type | Thesis/Dissertation |
| Rights | Attribution-NonCommercial-NoDerivatives 4.0 International, http://creativecommons.org/licenses/by-nc-nd/4.0/ |
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