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Dvorná láska v kontextu herních aspektů dvorské kultury (Cantigas de Santa Maria a trubadúrský zpěvník R) / Courtly Love in the context of ludic elements of courtly culture (Cantigas de Santa Maria and the troubadour chansonnier R)

1./1 Courtly Love in the context of ludic elements of courtly culture (Cantigas de Santa Maria and the troubadour chansonnier R) Matouš Jaluška Abstract Dissertation Courtly Love in the context of ludic elements of courtly culture (Cantigas de Santa Maria and the troubadour chansonnier R) strives to refine on the common notion that the me- dieval courtly poetry is a kind of game. It is based in the tradition of thinking about playing, which is based on the essay Homo ludens of Johan Huizinga and continues through works of Roger Cailloise, Jacques Henriot and Eugen Fink to the current trend of Game Studies. Close reading of the authorities in the introductory chapter shows that each of them assigns an im- portant role to the notion of discontinuity or rupture that enables them to establish the game as a non-binding and safe world. The concept of troubadour poetic creation as a safe activity is explored in the second chapter based on the works of the two founding figures of the trouba- dour tradition, Guilhem de Peitieu ("the Count of Poitiers") and Marcabru. The comparison shows that the safety of troubadour poetry is closely connected with the idea of binding or non-binding language. Binding speech is strongly linked to the image of female power and the ability of women to breed offspring and thus to keep...

Identiferoai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:357878
Date January 2017
CreatorsJaluška, Matouš
ContributorsHrbata, Zdeněk, Nejedlý, Martin, Sánchez Fernández, Juan Antonio
Source SetsCzech ETDs
LanguageCzech
Detected LanguageEnglish
Typeinfo:eu-repo/semantics/doctoralThesis
Rightsinfo:eu-repo/semantics/restrictedAccess

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