This dissertation interprets how two antebellum American works of fiction, Herman Melville’s Benito Cereno and Martin R. Delany’s Blake, represent the relationship between conjuring and resistance to oppression. It is unclear how we should conceive of this relationship: on the one hand, historical slave conspiracies and revolts in the Atlantic world demonstrated the unequivocal power of conjuring for assembling collectives; on the other hand, many slaves who turned to conjuring to ease their suffering later dismissed the practice as nonsense in their autobiographies.
My close-readings of these two texts are supported by a wide-range of historical and cultural materials, including the vast literature on conjuring, the Peruvian discourse on the saya y manto, and the discourse on fetishism. I conclude that acts of conjuring drive plot and explain a character’s actions or inactions under circumstances in which resistance to oppression involves obtaining or preserving freedom for presently or formerly enslaved people. In addition, this dissertation provides a method for reading conjuring in Benito Cereno and interprets a form of conjuring in Blake that readers have neglected.
| Identifer | oai:union.ndltd.org:columbia.edu/oai:academiccommons.columbia.edu:10.7916/42bv-c198 |
| Date | January 2024 |
| Creators | Mayer, Nicholas |
| Source Sets | Columbia University |
| Language | English |
| Detected Language | English |
| Type | Theses |
Page generated in 0.0023 seconds