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Melodramatic Melanin: A Critical Analysis of the Mammy, Mulatta, and Mistress in Black Female Representation on Stage and Film

Black feminist scholars such as Lisa Anderson describe the most common stereotypes as that of the mammy, the mulatta, and the mistress.
My research analyzes how each of these negative stereotypes are articulated or challenged in contemporary plays and films by bringing together
scholarship that critiques dramatic representation, mass media that disseminates those representations, and social media that reveals popular
perceptions of race. I utilize Black feminism to critique the stereotypical representation of Black women in dramatic works, and critical race
theory to consider the social and political environment that allows these representations to proliferate. After setting up the historical
context of stereotypes from the slavery era to the present day in chapter two, each of the following chapters explore one specific stereotype,
beginning with the mammy in chapter three, moving to the mulatta in chapter four, and ending with the mistress in chapter five. Each of these
chapters focuses on two case studies include one successful play and one film with a nation-wide release that features Black female characters
and plays on mainstream networks. With theatrical case studies ranging from Lydia Diamond's Voyeurs de Venus (2006) to Lynn Nottage's By the
Way, Meet Vera Stark (2013), films from The Help (2011) to Dear White People (2014), my work questions how these stereotypes persist and create
meaning in popular culture. The work addresses the following questions: How have the mammy, mulatto, and mistress stereotypes functioned and
persisted in dramatic works and popular culture in the contemporary era? How do contemporary works adapt, challenge, reinterpret, and reimagine
these stereotypes? What does this suggest about shifts in representations of Black women in the contemporary United States? / A Dissertation submitted to the School of Theatre in partial fulfillment of the requirements for the degree of
Doctor of Philosophy. / Fall Semester 2018. / August 9, 2018. / Black Feminism, Critical Race Theory, Mammy, Mistress, Mulatta, Stereotypes / Includes bibliographical references. / Elizabeth Osborne, Professor Directing Dissertation; Tamara Bertrand Jones, University Representative;
Jerrilyn McGregory, Committee Member; Kris Salata, Committee Member.

Identiferoai:union.ndltd.org:fsu.edu/oai:fsu.digital.flvc.org:fsu_661149
ContributorsJeffries, Devair O. (author), Osborne, Elizabeth A., 1977- (professor directing dissertation), Jones, Tamara Bertrand (university representative), McGregory, Jerrilyn (committee member), Salata, Kris (committee member), Florida State University (degree granting institution), College of Fine Arts (degree granting college), School of Theatre (degree granting departmentdgg)
PublisherFlorida State University
Source SetsFlorida State University
LanguageEnglish, English
Detected LanguageEnglish
TypeText, text, doctoral thesis
Format1 online resource (187 pages), computer, application/pdf

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