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Spectacle, Pageantry, and Parading

We celebrate the arrival of spring with revelry in search of catharsis. Carnivals roots trace from the ancient Greek and Roman pagan celebrations, to the pageant wagons of the Medieval theatre and the French masquerades, and on through the Mardi Gras celebrations in New Orleans. Mardi Gras is part of Louisianas rich cultural history of parading and spectacle, as well as public art and performance, as a civic responsibility, and as an economic booster.
Blaine Kerns Mardi Gras World builds parade floats, large-scale sculptures, and props for Mardi Gras, theme parks, and casinos around the world. I interned with Kern Studios and detail my experiences in prop building, including the armature, foam carving, paper-mâché, and installation.
I combined the knowledge I gained from Kern Studios and my own work studying Properties Technology in the theatre department at Louisiana State University in construction, painting, textiles, and carving to create my own parade float. I marched in the Box of Wine parade 2011 with my float based on the poppy field from the Wizard of Oz. I narrate the float building process from initial design, budgeting, trial-and-error, completion of the elements, final installation, and the parade event. By building my own project from inception to completion, I gained a broad experience in parading and spectacle.

Identiferoai:union.ndltd.org:LSU/oai:etd.lsu.edu:etd-04112011-151905
Date12 April 2011
CreatorsWhetstone, Whitney
ContributorsBussolati, Eugene J., Jr, Murphy, James L., Cho, Eun Jin
PublisherLSU
Source SetsLouisiana State University
LanguageEnglish
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.lsu.edu/docs/available/etd-04112011-151905/
Rightsunrestricted, I hereby certify that, if appropriate, I have obtained and attached herein a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to LSU or its agents the non-exclusive license to archive and make accessible, under the conditions specified below and in appropriate University policies, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report.

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