Includes bibliographical references. / The present study investigates the field of theatre practice that I have chosen to call alternative Zimbabwean theatre through a detailed study of four plays and reference to several others all first performed and written between 1980 and 1996. The study interrogates the interweaving and juxtaposition of divergent performance forms and styles on stage created by the contact between western dramatic theatre, indigenous theatre and cultural performances. This contact results in the formation of a third space for theatre which is a creative area of ambivalence, sameness, difference, conflict, struggle, mocking and celebration. The study specifically scrutinises this intersecting area as it obtains in alternative theatre and examines the forces at work in producing the nature and identity of syncretic theatre. Between 1980 and 1996, the nature and identity of alternative theatre changed significantly. This thesis investigates these changes, movements, shifts, conflicts and appropriations and the context within which they took place.
| Identifer | oai:union.ndltd.org:netd.ac.za/oai:union.ndltd.org:uct/oai:localhost:11427/14316 |
| Date | January 2011 |
| Creators | Ravengai, Samuel |
| Contributors | Morris, Gay, Garuba, Harry |
| Publisher | University of Cape Town, Faculty of Humanities, Department of Drama |
| Source Sets | South African National ETD Portal |
| Language | English |
| Detected Language | English |
| Type | Doctoral Thesis, Doctoral, PhD |
| Format | application/pdf |
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