Beginning in 1911 with Jennie Gerhardt and continuing through the publication of The "Genius" in 1915, all of Dreiser's major fiction is curiously marked by the same recurring narrative pattern. The pattern is always triangluar in construction and always contains the same three figures-- a vindictive and vengeful parent, outraged by an outisder's violation of personal and societal values; an enchanted offspring; and a disrupted outsider who threatens established order. In spite of each work's different characterization, setting, and episode, the narrative conflict invariably arises from the discovery of an illicit relationship between offspring and outsider, and the narrative climax involves a violent clash of wills, with victory sometimes going to the parent and sometimes to the outsider. The denouement is consistently sorrowful and pensive in tone, with a philosophical epilogue which speculates on man's melancholy and puzzling fate. As both a guide to personal therapy and a key to the work with which Dreiser established his artistic identity, the recurring narrative pattern is important. Its examination (1) illuminates an obscure period in Dreiser's life, (2) reveals his personality priorities as he turns the kaleidoscope of introspection to observe the Cudlipp crisis from various angles, and (3) offers to the discerning reader a reliable clue to the developing system of aesthetics of one of America's greatest artists.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc935785 |
| Date | 12 1900 |
| Creators | Wood, Bobbye Nelson |
| Contributors | Davidson, James, Miller, Lee W., Vann, J. Don (Jerry Don), 1938-, Henderson, Sam H. |
| Publisher | North Texas State University |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | 157 leaves, Text |
| Rights | Public, Wood, Bobbye Nelson, Copyright, Copyright is held by the author, unless otherwise noted. All rights |
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