The way in which one perceives a temporal sense of time while listening to or interacting with music is heavily influenced by the way the composer presents their musical or visual materials. This dissertation discusses concepts and technical approaches regarding timelessness in relation to my piece, In einem Augienblick, and the ways in which I explore a displaced approach to interactivity between audio, video, and performance for clarinet and live interactive electronics and video. By referencing the writings of Johnathan Kramer and using models of references from other composers, most notably György Kurtág, this document contemplates and synthesizes a variety of different methodologies and their practical applications to discuss the approach of timelessness, temporal change, and shifts in musical time taken in In einem Augienblick. In my piece, multiple elements of visual and sonic material are utilized in conjunction with each other to create this stagnant but shifting musical world, which will be discussed by presenting examples from the score, video, and electronics to show how each of these elements work together to create moments of timelessness in the piece.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc2356173 |
| Date | 07 1900 |
| Creators | Reed, Patrick Edward |
| Contributors | Nelson, Jon C., May, Andrew, Stout, David |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | Text |
| Rights | Public, Reed, Patrick Edward, Copyright, Copyright is held by the author, unless otherwise noted. All rights Reserved. |
Page generated in 0.0017 seconds