In this thesis I examine relationships between recollections of loss and the narrating of memory in works of Modernist author, Virginia Woolf. Woolfs position within discussions of early twentieth-century responses to trauma has long been the subject of debate, and her focus on alienation, death, and the detrimental influence of the larger, patriarchal sphere is crucial to critical analyses of her works. I argue that Woolfs depiction of memory is a more sophisticated one than has been previously recognized. In her fictional delineations of death and destruction, as well as in her theoretical musings on the process of remembering, Woolf conceives of a local communal sphere that is more conducive to the experience of individuated responses to loss, rather than the public sphere where notions of national identity, appropriate expressions of bereavement, and performed masculinity facilitate a continuous cycle that both produces and perpetuates such violence. These ideas are further complicated through Woolfs depiction of a different means of ordering the larger collective, one that can only be conceived through spontaneous moments of unity and connection.<p>
My argument situates Woolfs position both contextually and theoretically, with reference to her own essays addressing recollection, along with contemporary discussions of the process of narrating memory and moments of trauma. It is organised in terms of the chronological publication of her novels, with the chapters moving from Jacobs Room to Mrs Dalloway, followed by The Waves, and ending with her final work of fiction, Between the Acts. Within this framework I delineate a progression in Woolfs own theories that marks her growing interest in, and working through of, unexpected loss, as well as a response that permits individuated expressions of mourning and temporary moments of connection. I end with a brief discussion of her suggested responses to such devastation, concluding that her conceptualisation of a dynamic, remembering community is a means by which she can challenge the homogeneity of the patriarchal status quo, as well as emphasising the importance of not only the articulation of trauma, but also the listening to and legitimising of such discourses.
| Identifer | oai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:SSU.etd-11292010-224549 |
| Date | 30 March 2011 |
| Creators | Patrucco, Jessica |
| Contributors | Martin, Ann |
| Publisher | University of Saskatchewan |
| Source Sets | Library and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada |
| Language | English |
| Detected Language | English |
| Type | text |
| Format | application/pdf |
| Source | http://library.usask.ca/theses/available/etd-11292010-224549/ |
| Rights | unrestricted, I hereby certify that, if appropriate, I have obtained and attached hereto a written permission statement from the owner(s) of each third party copyrighted matter to be included in my thesis, dissertation, or project report, allowing distribution as specified below. I certify that the version I submitted is the same as that approved by my advisory committee. I hereby grant to University of Saskatchewan or its agents the non-exclusive license to archive and make accessible, under the conditions specified below, my thesis, dissertation, or project report in whole or in part in all forms of media, now or hereafter known. I retain all other ownership rights to the copyright of the thesis, dissertation or project report. I also retain the right to use in future works (such as articles or books) all or part of this thesis, dissertation, or project report. |
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