RED Digital Cinema is a rather new company that has developed a camera that has shaken the world of the film industry, the RED One camera. RED One is a digital cinema camera with the characteristics of a 35mm film camera. With a custom made 12 megapixel CMOS sensor it offers images with a filmic look that cannot be achieved with many other digital cinema cameras. With a new camera comes a new set of media files to work with, which brings new software applications supporting them. RED Digital Cinema has developed several applications of their own, but there are also a few other software supporting RED. However, as of today the way of working with the RED media files together with these software applications are yet in progress. During the short amount of time that RED One has existed, many questions has risen about what workflow is the best to use. This thesis presents a theoretical background of the RED camera and some software applications supporting RED media files. The main objective is to analyze RED material as well as existing workflows and find the optimal option.
| Identifer | oai:union.ndltd.org:UPSALLA1/oai:DiVA.org:liu-19871 |
| Date | January 2009 |
| Creators | Foroughi Mobarakeh, Taraneh |
| Publisher | Linköpings universitet, Institutionen för teknik och naturvetenskap |
| Source Sets | DiVA Archive at Upsalla University |
| Language | English |
| Detected Language | English |
| Type | Student thesis, info:eu-repo/semantics/masterThesis, text |
| Format | application/pdf |
| Rights | info:eu-repo/semantics/openAccess |
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