The topic of this thesis covers the serious musicals staged in London's West End. The author first considers the concept of "serious musical", its characteristics and its connections with melodrama. Then the author contemplates over several musicals which deal with serious topics which the author had seen in London (for example: The Lion King or Wicked). Then focus moved to three musicals - Matilda the Musical, Billy Elliot the Musical and Les Misérables. The author focuses more attention on the first two musicals that are mentioned. They are representatives of serious family musicals. This thesis is devoted to how they were originally intended (book, movie) and then their stage appearance is analyzed in detail with emphasis on transformations which have occured during the adaptations. The author then focuses on topics which are directly connected to Matilda the Musical, Billy Elliot the Musical and Les Misérables. Thus the thesis is concentrated on some adaptations, musical stage design, dance, children actors, megamusicals and family musicals. In this thesis, the author also tries to identify the possible reasons for the changes and where they originated from.
| Identifer | oai:union.ndltd.org:nusl.cz/oai:invenio.nusl.cz:172946 |
| Date | January 2013 |
| Creators | Hlubučková, Petra |
| Contributors | CÍSAŘ, Jan, BÁR, Pavel |
| Publisher | Akademie múzických umění v Praze.Divadelní fakulta. Knihovna |
| Source Sets | Czech ETDs |
| Language | Czech |
| Detected Language | English |
| Type | info:eu-repo/semantics/masterThesis |
| Rights | info:eu-repo/semantics/restrictedAccess |
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