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The music idea, music aesthetics and writing skills of the composition JING.

Abstract
This thesis discusses the music idea, music aesthetics and writing skills of the author¡¦s composition JING. The music idea and aesthetics of the JING are inspired by Confucianism, Buddhism and Taoism. The common important issue that these three isms concern about and also the point inspires the author is Nature. The author uses Repetition as the music writing skills to represent the constancy of the nature. In other words, music repetition and the variation of the repetition is what the author wants to experiment in the composition JING. In order to learn how the repetition used and represents the Nature in the three isms, the author also studies and analyzes important ritual music for the rites of Confucianism, Buddhism and Taoism. Furthermore the author discusses how repetition works and means in western music. Concluding the discussions on the three pieces of ritual music and the western music, the author comes out her own point of view which becomes the important material and creating process in JING.
JING is consisted of three movements. The first movement is JI, the second is ZHI, and the third is JIE. Although the three movements are titled differently, the points that the author wants to present are all the same and is about Constant Nature. The author experiments the skills of repetition in the piece throughout to show her intention for understanding Constancy of Nature.

Identiferoai:union.ndltd.org:NSYSU/oai:NSYSU:etd-0626108-011441
Date26 June 2008
CreatorsChen, Kuan-ling
ContributorsKwang-I Ying, Sz-Sian Lee, Min-yuan Lin
PublisherNSYSU
Source SetsNSYSU Electronic Thesis and Dissertation Archive
LanguageCholon
Detected LanguageEnglish
Typetext
Formatapplication/pdf
Sourcehttp://etd.lib.nsysu.edu.tw/ETD-db/ETD-search/view_etd?URN=etd-0626108-011441
Rightsunrestricted, Copyright information available at source archive

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