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Satirical imagery of the grotesque body of Louis XIV : pushing the corporeal limits of France

The establishment of the French Absolutism under King Louis XIV depended in part on pictorial representation generated by the French Academy. As a vehicle and institute of the state, the Academy created a canon of imagery, which was known throughout Europe. This enabled Louis XIV's image to be reversed by the creators of the satirical images. The makers of the reverse image appropriated the institutionalized styles and genres of royal portraiture to create innovative satirical images of the monarch using the very canon Louis XIV sanctioned. In its analysis of a small body of satirical imagery, the thesis draws on various theories about the body of the king proposed by Jean-Marie Apostolides, Ernst Kantorowicz and Louis Marin. A comparison of satirical images with official images of the king demonstrates the successful strategies of satirical imagery and the collective need for these kinds images in the seventeenth century.

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.98929
Date January 2006
CreatorsHeinrich, Brittany Nicole.
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Arts (Department of Art History and Communication Studies.)
Rights© Brittany Nicole Heinrich, 2006
Relationalephsysno: 002479657, proquestno: AAIMR24868, Theses scanned by UMI/ProQuest.

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