Thesis (Ph. D.)--University of California, San Diego, 2005. / An examination of the development of performance practice developed in the relationships between performers and composers, with emphasis on three works: Psappha by Iannis Xenakis, Wave/s by Thomas DeLio, and Attitudes--assumptions shattered by Derek Keller. Vita. Includes tape cassette (digital ; 2 7//8 x 2 1/8 in., 3/16 in. tape) with recording of one of the works discussed.
| Identifer | oai:union.ndltd.org:OCLC/oai:xtcat.oclc.org:OCLCNo/60761395 |
| Date | January 2005 |
| Creators | Palter, Morris S. |
| Source Sets | OCLC |
| Language | English |
| Detected Language | English |
| Type | Dissertations, Academic |
| Source | Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses |
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