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The development of the symbol of the dancer in the poetry of William Butler Yeats /

Note: / This thesis examines the manner in which Yeats developed the dancer as a literary symbol and discusses the meanings the symbol acquired as a result of that development. There is a chapter on historical background to the dance and another on what Yeats meant by symbol. The operation of the dancer is examined in detail in the following early poems: "Who Goes with Fergus?" "The Man Who Dreamed of Faeryland" and "The Host of the Air." The development is examined in some later poems, such as "Michael Robartes and the Dancer" and others to establish the nature of the change leading toward the dancer's humanisation and toward its acquiring additional meaning because of its assocaition with other symbols, for example, tree and dragon: waht yeats called The Great Procession. "Among School Children" is examined in detail as an example of the operation of the completed symbol. [...]

Identiferoai:union.ndltd.org:LACETR/oai:collectionscanada.gc.ca:QMM.47632
Date January 1966
CreatorsGodfrey, Michael Edward.
ContributorsHeuser, A. (Supervisor)
PublisherMcGill University
Source SetsLibrary and Archives Canada ETDs Repository / Centre d'archives des thèses électroniques de Bibliothèque et Archives Canada
LanguageEnglish
Detected LanguageEnglish
TypeElectronic Thesis or Dissertation
Formatapplication/pdf
CoverageMaster of Arts. (Department of English.)
RightsAll items in eScholarship@McGill are protected by copyright with all rights reserved unless otherwise indicated.
Relationalephsysno: 000847169, Theses scanned by McGill Library

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