This thesis explores collage music's formal elements in an attempt to better understand its various themes and apply them in a workable format. I explore the work of John Zorn; how time is perceived in acoustic collage music and the concept of "super tempo"; musical quotation and appropriation in acoustic collage music; the definition of acoustic collage music in relation to other acoustic collage works; and musical montages addressing the works of Charles Ives, Lucciano Berio, George Rochberg, and DJ Orange. The last part of this paper discusses the compositional process used in the works Tempered Confetti and Venni, Viddi, – and how all issues of composing acoustic collage music are addressed therein.
| Identifer | oai:union.ndltd.org:unt.edu/info:ark/67531/metadc862786 |
| Date | 08 1900 |
| Creators | Campbell, Andrew (Andrew S.) |
| Contributors | Kokoras, Panayiotis, 1974-, Nelson, Jon Christopher, Klein, Joseph, 1962- |
| Publisher | University of North Texas |
| Source Sets | University of North Texas |
| Language | English |
| Detected Language | English |
| Type | Thesis or Dissertation |
| Format | vi, 83 pages : illustrations, music, Text |
| Rights | Public, Campbell, Andrew (Andrew S.), Copyright, Copyright is held by the author, unless otherwise noted. All rights reserved. |
Page generated in 0.0023 seconds