My artistic process as an actor is ever changing--always in flux and adjusting to the needs and dominant rhythms of the character and imaginary world of the play. While there may be some overlap, every role is different from the next role and therefore the artistic process serves to help the actor find a way into the life of the character. Actor training in movement, voice, and acting technique provides me with a variety of tools to choose from when developing a character for performance. My artistic process is the exploration and play that goes into picking and choosing which tools suit me best to approach the development of a character. It is my work to use these tools to discover the many connections and themes between the character and the imaginary world of the play as well as how they interact with each other. A significant part of this exploration is doing the character research to answer specific questions such as: Is my character's interaction with others mostly negative or positive? What want, need, or desire lures my character from the beginning of the play through to the end? What is my characters internal rhythm...heavy and lethargic or light and erratic? Moreover, the artistic process is crucial to giving me the freedom to release into the character so that I can successfully make the jump from playing at a character to truly embodying the character.
| Identifer | oai:union.ndltd.org:uiowa.edu/oai:ir.uiowa.edu:etd-5757 |
| Date | 01 May 2015 |
| Creators | Morones, Regina M |
| Contributors | Cameron, John Clarence |
| Publisher | University of Iowa |
| Source Sets | University of Iowa |
| Language | English |
| Detected Language | English |
| Type | thesis |
| Format | application/pdf |
| Source | Theses and Dissertations |
| Rights | Copyright 2015 Regina Marie Morones |
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