Throughout the history of music, the dialogue of cultures in the West-East discourse has produced various Orientalism models. Introducing a fashion for oriental decorations in Europe, using new instruments, borrowing modes of musical expression, as well as alluding to signs and
symbols of oriental religions and philosophies gave rise to reshaping European musical aesthetics as early as the 18th century. At that time, Wolfgang Amadeus Mozart and his work were undoubtedly pivotal for the art. One can retrospectively observe that Turkish Janissary musical
traditions significantly freshened and enriched the composer’s instrumental thinking. This can
be seen most in the orchestration of Mozart’s oriental operas – namely, his singspiels Zaide and
The Abduction from the Seraglio (Die Entführung aus dem Serail). Being a synthetic genre by its
nature, opera is primarily related to literary activity; therefore, its oriental colour and imagery
need to be immersed in the philosophical world of oriental narratives and storylines that were
very popular in baroque and classicism art. Moreover, on the example of The Magic Flute (Die
Zauberflöte), Mozart’s last opera, we can observe how the semiosis of Sufi texts explicitly present in this singspiel libretto gives the work new – Romantic – features. These new characteristics are not limited to the surface aesthetic level of decorations. As an opera reformer, Mozart
reshapes the aesthetics of musical language, concurrently refining the ethical component of the
genre. Thus, when analysing some instrumental, especially opera pieces by Mozart – namely,
Zaide, The Abduction from the Seraglio and The Magic Flute singspiels, one can affirm that the
synergy between all orientalism features in the composer’s works and established traditions of
the European musical art resulted in the Viennese master creating a new ethical and aesthetic
style model, which became seminal for the upcoming epochs.
| Identifer | oai:union.ndltd.org:DRESDEN/oai:qucosa:de:qucosa:82155 |
| Date | 14 November 2022 |
| Creators | Mladenova, Tetiana |
| Publisher | Gudrun Schröder Verlag, Internationale Arbeitsgemeinschaft für die Musikgeschichte in Mittel- und Osteuropa an der Universität Leipzig |
| Source Sets | Hochschulschriftenserver (HSSS) der SLUB Dresden |
| Language | English |
| Detected Language | English |
| Type | info:eu-repo/semantics/publishedVersion, doc-type:article, info:eu-repo/semantics/article, doc-type:Text |
| Rights | info:eu-repo/semantics/openAccess |
| Relation | 978-3-926196-81-1, urn:nbn:de:bsz:15-qucosa2-821475, qucosa:82147 |
Page generated in 0.0017 seconds